Foivos Delivorias is being transformed into an invisible person, but not insubstantial. Raw material emanates from the obsessions of his own reality that emancipated henceforth and without guilt, become a unique inspiration for the songwriter. The boy that managed to break his “mirror” and later on went “outside”, now simply matures. He grows up and he does that beautifully. He becomes an independent man that carries the wisdom of his heroes and conveys it overtly into his words and melodies.
In “The Invisible Man” (O Aoratos Anthropos) the songmaker leaves himself freer than ever and builds up his most mature work of 11 songs. Foivos Delivorias along with Stamatis Stamatakis (bass and contrabass) and Giorgos Katsanos, who plays 20 different instruments (piano, Epinette des Vosges, musical saw, theremin, theatre organ, and others) have created the most inspired arrangements. Arleta makes a special guest appearance in one track, while newcomer Rena Morfi is performing a duet with Foivos. The Invisible Foivos was photographed by Hristos Hatziioannou, creatively “designed” by db and friendly “smudged” by Stefanos Rokos. Yannis Petrolias did the sound engineering and music production, while Panagiotis Liberopoulos is the production manager.
“The Invisible Man” dances an electric “Bolero”, caresses her hair from a distance while “he wishes he was there” [Tha ‘ thela na ‘mouna eki], he burns in cinematic avenues for an “Other heart” [Alli kardia], he listens to the “Horoscope” [Oroskopio] from the “astrologer” Arleta, he expresses his “Doubt” [Amfivolia] with an electronic concern, he dims the lights for the “The Darkness of Two” [To Skotadi ton Dio], he borrows religious melodies in order not to stay “Without” [Horis], he looks at his “Zero Incoming Messages” (Miden Iserhomena) with nerve and dirty rhythm, he watches a distorted old Greek film, entitled “Disowned” [Apokirigmeno]”, he gains his own music under “This Moon” [To Feggari Afto] and finally reaches his “Shelter” [To Katafigio] with calm and relaxed steps.
