1.0INNER EARhttps://inner-ear.gr/en/rich600338<blockquote class="wp-embedded-content" data-secret="E95EYR54Ns"><a href="https://inner-ear.gr/en/product/pedio/">Πεδίο</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://inner-ear.gr/en/product/pedio/embed/#?secret=E95EYR54Ns" width="600" height="338" title="“Πεδίο” — INNER EAR" data-secret="E95EYR54Ns" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://inner-ear.gr/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://inner-ear.gr/wp-content/uploads/2025/09/BETHNAL-GREENER-400x400px.png10241024Πεδίο is the songwriting debut of Greek/UK artist Bethnal Greener (aka: Kostis Kilymis). The album’s voice-driven tracks mark a notable departure for Kilymis, previously known for his work in the outer fringes of experimental music, yet are firmly linked to the intricacies and immersive logic of his previous projects. Built around the contrast between the […]